![]() ![]() In a case of pure miscasting, both Cruise and Kidman fail to reinvigorate this American epic with any sort of weight, despite their best efforts. This premise can quickly become hackneyed if not treated with some modicum of ingenuity. In Far and Away, Tom Cruise and his then-wife Nicole Kidman play Irish immigrants coming to the US hoping to partake in the elusive American Dream. If you can get past some of the intense croonings, that is. Having said that, Tom Cruise is the only redeeming aspect of Shankman’s lifeless adaptation, who imbues metal rocker Stacee Jaxx with a bonkers, chameleon-like quality, managing to keep the movie afloat during the direst of times. Adam Shankman’s Rock of Ages, based on Chris D’Arienzo’s jukebox Broadway musical of the same name, is almost too eccentric(ally bad) for its own good, crumbling into a brand of silliness I personally cannot get behind. Rock of Ages (2012) Rock of Ages (2012)īroadway musicals can be electrifying, and when appropriately adapted to the big screen, the results can be brilliant (a recent example being Steven Spielberg’s abundantly layered West Side Story). Although Tom Cruise is fine as Senator Jasper Irving, his performance fails to eclipse the dull execution of what could have been an especially riveting narrative about the futility of war.ģ9. A film about America’s war on terror, Lions for Lambs executes its subject material in a rather pompous manner, robbing the film of the nuance and substance it should have essentially embodied. Instead, it turned out to be a preachy, hollow morality drama with long-winded monologues that seemed like pedantic lectures. ![]() However, Redford’s Lions for Lambs was far from what everyone envisioned the film to be. Lions for Lambs (2007)Ī war drama helmed by Robert Redford with a talent-packed cast including Cruise, Meryl Streep, and Redford himself sounds like the perfect Oscar bait. Worth skipping entirely unless you’re a Cruise completionist. Although there is nothing inherently bad about Curtis Hanson’s film, it unfurls as a run-of-the-mill genre offering rife with coming-of-age tropes and semi-hilarious shenanigans that end in some sort of pseudo-profound life lesson. Losin’ It (1983) Losin’ It (1983)Ī sex comedy about adolescents trying their damnest to get laid, Losin’ It follows a young Tom Cruise on a road trip to Tijuana with his gang, who, wait for it, want to get some. However, if you are ever in the mood to watch an unbearably suave Cruise flaring at a bar while the rest of the plot (plot? what plot?) gradually fades into the periphery, Cocktail is the perfect Tom Cruise film for this sole purpose. Unfortunately, Cocktail fails to imbibe any of the standard thrills that are cognizant of good romantic dramas, as the script lacks the depth to keep the audience invested or hooked. Well, the story in itself revolves around Brian’s ability to seduce women (whilst bartending, for the most part) until he decides to romance Elisabeth Shue’s Jordan. ![]() Cocktail is the quintessential hollow ‘80s movie, with its glamour and appeal resting heavily on Cruise’s good looks. Here, Tom Cruise plays yet another cocky flirt, this time a bartender named Brian Flanagan. ![]()
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